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Only live-action movies included. American International Pictures produced a series of twelve films that fall into the genre. Reserve your tickets now! Arkoff next made a deal with former Mouseketeer Annette Funicello, whose contract with Walt Disney had a clause stating that she could work in non-Disney films subject to the approval of Disney's legal team. In addition, the AIP films regularly secured the talents of many well-known yet admittedly past-their-prime talents, with Buster Keaton being featured in three films (Beach Blanket Bingo, How to Stuff a Wild Bikini, and Sergeant Deadhead), and Boris Karloff being featured in two films (Bikini Beach and Ghost in the Invisible Bikini). One of the earliest uses of the term in print is found several times in the June 1965 issue of Mad magazine in an article written by Larry Siegel. As mentioned above, in addition to Avalon and Funicello appearing in nearly every film, AIP employed several newer actors, who were either relatively unknown or on the rise at the time.

According to several sources,[4][6][42] both Trans American's It's a Bikini World and Crown International's Catalina Caper appear to have been filmed in 1965, but neither hit movie screens until 1967, with It's a Bikini World coming out in April and Catalina Caper premiering in December. Generally comedies, the core elements of the AIP films consisted of a group of teenage and/or college-age characters as heroes; non-parental adult characters as villains and/or comic relief; simple, silly storylines that avoided any sober social consciousness; teen trends and interests (such as dancing, surfing, drag racing, custom cars, music, irresponsible drinking, etc. [13], Although both Columbia Pictures's Gidget (1959) and Gidget Goes Hawaiian (1961) have been cited as precursors to the genre, in that Gidget "launched surfing into mainstream America,"[14][15] while its sequel merely repeated the effort, AIP had actually established an archetype for Beach Party with 1958's Hot Rod Gang and especially with its 1959 sequel Ghost of Dragstrip Hollow, both written by Lou Rusoff. "[16], Additionally, 1960's Where the Boys Are, from Metro-Goldwyn-Mayer and perhaps to some degree 1961's now-obscure Gidget imitator, Love in a Goldfish Bowl, from Paramount Pictures, are two films that established a tone of light-hearted adolescent sexuality that would be exploited by AIP in Beach Party. According to various sources, the genre comprises over 30 films,[4][5][6] with the lower-budget AIP films being the most profitable.[7]. Seven films were produced in the genre that were released without the benefit of major studio backing, most of them either filmed or released in 1965.

Starring Martin Milner, the film received a 1968 Golden Globe nomination for Best Original Song for the Jerry Styner/Guy Hemric composition, "Please Don't Gamble with Love" – the only film in the genre to be nominated for a Golden Globe. Elvis Presley playing a ukulele in short-shorts: need we say more, America? The following cast members showed up in at least three or more films: John Ashley, Dwayne Hickman, Jody McCrea, Deborah Walley, Bobbi Shaw, Salli Sachse, Luree Holmes, Michael Nader, Valora Noland, Andy Romano, Susan Hart, Jerry Brutsche and Linda Rogers. All of a sudden, theaters began clamoring for prints of Beach Party. when you purchase 3 participating Suave products 9/1-10/31 at Walmart or Walmart.com. Likewise, Ski Party intoned, "It's where the HE'S meet the SHE's on SKIS – and there's only one way to get warm!" The Beach is a 2000 adventure drama film directed by Danny Boyle and based on the 1996 novel of the same name by Alex Garland, which was adapted for the film by John Hodge. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: Smiths-Inspired ‘The More You Ignore Me,’ Horror Movie Collections and More, This Week in Family Movie News: ‘Thomas & Friends’ Coming Down the Track, First ‘Addams Family 2’ Teaser and More. The film was a moderate box office success but received mixed reviews from … 50s era summer fling films — maybe a little G rated for 2013, but those beach scenes, like in 'Gidget,' were hot for the time. No' was only slightly overshadowed by how ridiculously amazing she looked emerging from the rolling ocean waters in that orange bikini.

With this film, AIP is credited with creating the genre. And Ursula Andress knew her way around a beach. Earn 125 points on every ticket you buy. Additionally, these movies were produced as escapism, so the characters in them lived in a world where the focus was on having a good time.[25][26]. [18], AIP Producer Sam Arkoff, in his biography, Flying Through Hollywood By the Seat of My Pants, explained that he got the idea for the first Beach Party movie from an unnamed Italian film that he and fellow producer Jim Nicholson screened in Rome in the summer of 1962. All Refunds/Exchanges must be completed before posted showtimes. A few actors – such as Fabian, Tommy Kirk, Deborah Walley and Nancy Sinatra – appeared in beach party films made both by AIP as well as from other studios. Another key to the success of Beach Party and its many sequels was the theme of teenage freedom, as parental involvement was non-existent. Comedic talent Fred Clark appeared in both Dr. Goldfoot and the Bikini Machine and Sergeant Deadhead. [41] Starring Troy Donahue and Stephanie Powers as collegiate types on a group vacation, it was released in November four months after Beach Party.

while Muscle Beach Party promised, "When 10,000 biceps go around 5,000 bikinis, you know what's going to happen!" If your plans change, it’s easy to refund or exchange your tickets! Similar to AIP, other elements sometimes were blended into the mix – horror, science fiction, spy spoof, college melodrama, etc. AIP dominated this genre as well, and quickly released the semi-sequel Devil's Angels, followed with The Glory Stompers in 1967, and eight more films in the genre between 1968 and 1971. [5][5][42] Before the summer of 1967, the outlaw biker film had become the major genre, of which AIP's own surprise 1966 hit The Wild Angels (with Peter Fonda, Bruce Dern, and Nancy Sinatra) proved to be the leader.

DVD Talk "Warner Bros.

Occasionally the term "surf movie" refers to a straightforward dramatic film that uses surfing as a backdrop or plot device, such as Big Wednesday or Blue Crush. [1][2][3] In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. Bo Derek, running down a beach, in a skintone-hued bathing suit. A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost.

Dominant Films, which also released H.G. Shirtless dudes in the 80s. The aforementioned and rarely screened Love in a Goldfish Bowl, Paramount Pictures' answer to Gidget, (with Tommy Sands and Toby Michaels as knock-off versions of James Darren and Sandra Dee) was released in July 1961. For example, much of the cast in Bikini Beach appear in the follow-up Pajama Party, albeit with different names – however, biker Eric von Zipper appears in the film, along with his gang of "Rats," playing the same characters as in two previous films. With Avalon and Funicello on board, a shrewd pairing was evident. By the time it was finally filmed – and released in 1967 under the new title Don't Make Waves – it was not so much a beach party film as a bedroom farce with Tony Curtis, Claudia Cardinale, and Sharon Tate as a ditzy beach girl. "[11], In the Encyclopedia of Surfing, Matt Warshaw writes, "The cartoonish beach movies were reviled by surfers in the '60s, embraced in the '80s as ironic camp, then – for some – cherished in the '90s and '00s as silly but likable tokens of a more innocent past.

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